Ts Eliot Metaphysical Poets Essay

Ts Eliot Metaphysical Poets Essay-14
He did this through his many influential essays on poetry, beginning with those in , and through the way he transformed the style of modern poetry.Every young poet writing in English after Eliot has had either to imitate or to reject him (often both).

He did this through his many influential essays on poetry, beginning with those in , and through the way he transformed the style of modern poetry.

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For English readers, however, the stark pictures of Eliot’s poem were startling: “Let us go then, you and I,/ When the evening is spread out against the sky/ Like a patient etherized upon a table.” When appeared in 1917, readers knew that a new and powerful poetic movement was beginning to make itself felt.

Eliot and Pound knew that they were creating a literary revolution: Both poets actively furthered the revolution through their essays, articles, and reviews. The volume included “Gerontion,” a monologue spoken by an old man and cast in blank verse.

As his literary star continued to rise, however, his personal life became more difficult.

By then, he had separated from Vivien, and in 1933, with the cooperation of her family, he had his wife committed to a mental institution.

Once again, the setting was bleakly urban and the sensibility of the speaker was distinctly modern, which meant that the speaker’s viewpoint was ironic, detached, and resigned. Scholars still debate the impact on subsequent literature of these relatively short prose articles, most of which were written for literary magazines or newspapers.

Students of modern English literature agree, however, that these essays, like the poems that preceded them, permanently altered the way readers assessed poetry.

Easily as important, however, is the fact that Eliot’s theories go a long way toward explaining what he was trying to do in his poetry.

In his next major poem, and his most famous, these ideas were given full play.

Although Eliot said that he always wrote with his mind firmly on tradition, broke with the look, the sound, and the subject of most poetry written since the early nineteenth century.

In the poem, allusions to myth, religion, Western and Eastern literature, and popular culture are almost constant; in fact, many stretches of the poem are direct, and unacknowledged, quotations from other sources.

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