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The narrator listens to a woman I OFF the people through a window observing both the singers and the watchers feeling the strangeness of the situation.
Sonny tells him that when he was listening to the woman singing “something struck me all of a sudden how much suffering she must have gone through-to sing like that.
It’s repulsive to think you have to suffer” (Baldwin 53).
The narrator questions Sonny about this point when he responds “But there’s no way not to suffer-is there, Sonny? The street revival and the conversation with Sonny make the narrator to want to understand the significance of the music.
When Sonny asks him to go to the club to listen to him play jazz, he accepts marking the beginning of his enlightenment.
He sees them establish real communication between them, reach an understanding beyond words.
Sonny comes more intense, more involved and this change brings on a change on the narrator. Creole, the band leader “hits something in all of them, he hit something in me, myself and the music tightened and deepened they were not about anything very new [they] were keeping it new at the risk of ruin, destruction, madness, and death, in order to find new ways to make us listen.
Jazz Healing Power According to Sonny’s Older Brother in “Sonny’s Blues” James Baldwin sets “Sonny’s Blues” in Harlem around the 1 ass’s.
He paints a picture of a place where poverty Is rampant In contrast with other places close by where people were rich and lived in fancy homes.
This contrast is demonstrated during the taxi ride the brothers take alongside Central Park.
In Harlem, the housing projects abound and “the playgrounds are popular with children who don’t play at Jacks, or skip rope, or roller skate, or wing, and they can be found In It after ark” (Baldwin 42).