Scottsboro Trial Research Paper

Scottsboro Trial Research Paper-26
The alleged rape victims in the Scottsboro case were Victoria Price, age twenty-one, and teenager Ruby Bates.Price and Bates were from poor families who lived in the racially mixed town of Huntsville, Alabama.By this time, a one-year fellowship had exposed Douglas to the modern European and African art collected by Albert C.

The alleged rape victims in the Scottsboro case were Victoria Price, age twenty-one, and teenager Ruby Bates.Price and Bates were from poor families who lived in the racially mixed town of Huntsville, Alabama.By this time, a one-year fellowship had exposed Douglas to the modern European and African art collected by Albert C.

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Their involvement rallied protests from whites and minorities alike around the world.

As the nine youths languished in the brutal Alabama prison system, their lives were largely destroyed; together, they spent 130 years in jail, despite the recantation of one of the alleged victims.

In the long struggle for civil rights and racial equality in America, few episodes had the impact of the infamous Scottsboro Boys case.

When nine black teenagers falsely accused of raping two women on a freight train were tried in Scottsboro, Alabama,in 1931, white juries found eight of the nine guilty, and they were sentenced to death.

The train master telegraphed ahead to the next station, Paint Rock, Alabama, where law enforcement officers boarded the train and rounded up every black youth they could find.

The two white women emerged and accused the blacks of raping them.The picture speaks to the profound response to this soul-chilling miscarriage of justice and the seriousness of racial prejudice in America.Our website has detected that you are using an unsupported or outdated browser that will prevent you from accessing certain features.Wallace in 1976; Patterson spent sixteen years in prison and escaped to Michigan in 1948, where the governor refused to extradite him.Aaron Douglas’s moving portrait (above) provides the opportunity to pair a critical historical story with a powerful work of art.For full site functionality, please use one of the following browsers and ensure it is up-to-date.Excerpt from "Scottsboro Case Goes to the Jury" Reprinted from the New York Times Published on January 23, 1936 "It takes courage to do the right thing in the face of public clamor for the wrong thing, but when justice is not administered fairly, . The words struck at the heart of a criminal justice system heavily biased against black Americans.Like Reiss, Douglas focused on the essential humanity and dignity of his subjects.This drawing was probably made around 1935, when the Supreme Court unanimously overturned the convictions in the Norris and Patterson cases because of Alabama’s exclusion of blacks from the jury rolls.Douglas made this portrait in a more realist manner, avoiding any hint of modernist stylization.His mentor, German artist Winold Reiss, had drawn imposing pastel portraits of Harlem authors.

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