In the 156-line poem, Emerson describes how “Superstition,” the personification of religious tyranny in Asia, has enslaved “[D]ishonored India.” With its Romantic primitivism and bombastic imagery, “Indian Superstition” is perhaps closer to caricature than considered literary art.
Yet, for all its excess, Emerson’s poem is notable for departing from a common formula of the period according to which a debased India could only be redeemed through Western colonialism.
With the publication of his in 1844, Emerson emerged as a trans-Atlantic literary celebrity.
In his essays from this period Emerson did not explicitly take up Eastern subjects or ideas; however, scholars agree that there are similarities between Emerson’s “Over-Soul” in his 1841 essay of that name and the Hindu conception of .
An aspiring poet, Emerson also gravitated to selections of poetry that took up Eastern themes and Eastern poetry, including the works of Saadi and Hafez, which he would embrace in adulthood.
Like other Anglo-American readers of his period, Emerson relied heavily on British colonial agents for his knowledge of India, reading treatises, travelogues, and translations of legal, religious, and poetic texts produced in the wake of Britain’s imperial expansion into India.
The curriculum focused on Greek and Roman writers, British logicians and philosophers, Euclidean geometry and algebra, and post-Enlightenment defenses of revealed religion.
As his journals and library borrowing records attest, however, in his spare time, Emerson paid keen attention to the wider European Romantic interest in the “Orient” or the “East,” which to him meant the ancient lands and sacred traditions east of classical Greece, such as Egypt, the Arabian Peninsula, Persia, China, and India.
According to Emerson, the tendency to “dwell in the conception of the fundamental Unity” is primarily an Eastern trait, while the impulse toward variety is a Western one.
Emerson praises in Plato what he probably valued in himself—an ability to synthesize the best aspects of unity and variety, immensity and detail, East and West.