Paper Back Writer Lyrics

Paper Back Writer Lyrics-46
Surprisingly, take 2 demonstrates that the vocalists actually had cut off sharply at the end of measure 11 — meaning that the measure's worth of echo was deftly spliced on as an extension of the original vocal.George and John have a bit of fun in the second pair of verses, sneaking in a counter-melody backing part based on the nursery tune "Frère Jacques".

Surprisingly, take 2 demonstrates that the vocalists actually had cut off sharply at the end of measure 11 — meaning that the measure's worth of echo was deftly spliced on as an extension of the original vocal.George and John have a bit of fun in the second pair of verses, sneaking in a counter-melody backing part based on the nursery tune "Frère Jacques".

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In the second half we suddenly are faced with almost the entire instrumental backing ensemble executing a double-barreled iteration of a really knockout ostinato riff for lead guitar and bass drum; one that I'd say is easily way up in there the same class with the one from "Day Tripper" in terms of both its distinctive melodic contour and craggy syncopations that extend over one and a half of the ostinato's two-measure length.

The vocal parts are worked out and varied to an unusual extent.

George and John's backing vocals play off of Paul's double-tracked lead vocal, sometimes antiphonally (the intro), sometimes in accompaniment (Frère Jacques), and yet at other times in chorus (the hook line at the end of each verse).

For starters, the bassline gives a pedal tone-like stress to the note G throughout the first eight measures, placing the C chord in the extremely weak 6/4 (also known as "second") inversion.

Secondarily, the melody stresses the note D during measures 2 and 6, creating a sense of the C and G chords being superimposed over one another.

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