This is primarily because students are not well versed with writing about themselves.
If you opt to write a narrative essay, ensure that you utilize all your senses wherever possible.
Savvy essayists, as a result, twist their chronology, beginning at the end or breaking to a moment in the past, even weaving together several timelines. Take, for example, Jo Ann Beard’s essay “The Fourth State of Matter.” The narrator, abandoned by her husband, is caring for a dying dog and going to work at a university office to which an angry graduate student has brought a gun.
More crucial, though, is their use of tension, which changes the flat line of chronology into a rising line—a plot. The sequence of scenes matches roughly the unfolding of real events, but there is suspense to pull us along, represented by questions we want answered.
You begin to delineate the organic form that will match your content.
The remarkable thing about personal essays, which openly mimic this exploratory process, is that they can be so quirky in their “shape.” No diagram matches the exact form that evolves, and that is because the best essayists resist predictable approaches.Although I may start an essay with a notion of where I am headed, inevitably I veer away as I get new ideas or encounter dead ends.Sometimes I even seem to go backward, losing all direction.We instinctively turn to chronology as a way to recreate the past, putting our lives into a neat moment-by-moment order. The march of time can be methodical—first this, then this, then this.If unrelieved, it becomes the ticking clock in the jail or, worse, the flat line of death.The real challenge lies in coming up with the right evidence and effectively learning how to defend your viewpoint.The best argumentative essays focus on just one aspect of a debate.” And when she’s at work, we find ourselves asking, “What about the guy with the gun? ” Narrative essays keep us engaged because we want answers to such questions. We keep on reading unless the writer stops stair-stepping upward toward the critical moment when change becomes necessary.If she flatlines on an emotional plateau, not raising the tension, then we are likely to lose interest and walk away.Nothing is wasted though, said the design professor, because every bend in the process is helping you to arrive at your necessary structure.By trying a different angle or creating a composite of past approaches, you get closer and closer to what you intend.