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A more happy alternative would be that our rapidly increasing technological prowess might provide such a universally high standard of living that women's security concerns will gradually retreat.
And fatal is no figure of speech; for anything written with that conscious bias is doomed to death. Brilliant and effective, powerful and masterly, as it may appear for a day or two, it must wither at nightfall; it cannot grow in the minds of others.
Some collaboration has to take place in the mind between the woman and the man before the act of creation can be accomplished. The whole of the mind must lie wide open if we are to get the sense that the writer is communicating his experience with perfect fullness. Ms Woolf seems to have had little interest in politics or feminism or anything much else, except for art itself.
But she does not envision a complete dichotomy between male and female: It is fatal to be a man or woman pure and simple; one must be woman-manly or man-womanly.
It is fatal for a woman to lay the least stress on any grievance; to plead even with justice any cause; in any way to speak consciously as a woman.
When conservatives speak of moral relativism or the death of outrage or the decline of the West, they speak with particular reference to these Modernist intellectuals and to the tremendous influence they have had on the culture.
But it is hard to see how these androgynists differ much from women in general.
The fundamental mission of both is to replace a culture based on freedom, morality and justice, with one based on security, egalitarianism, anti-heroism, and sameness--a sort of dictatorship of the lowest common denominator.
The same thing has happened, perhaps more demonstrably, in politics.
Virginia Woolf may be right that it is possible to write (or to govern) androgynously; I doubt it.
The long history of Western man suggests that the ideological divide between men and women is inherent in the gender (as groups not as individuals).