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Also any writings or responses by art critics and/or philosophers about Abelardo Morell’s work will be included.
This paper hopes to bring across to the reader an understanding of Abelardo Morell and Camera Obscura. As a child he felt a sense of alienation and isolation in Cuba, feelings that remained when he moved as a teenager with his family to New York City.
This device is important to the history of photography because it was one of the first forms of photography and cameras.
It showed that, at the same time, advances could be made in photography, something with the means of time and knowledge.
Although he later studied comparative religion at Bowdoin College, he eventually took up photography as a way to express his feelings as an immigrant to the United States during the turbulent 1960s” (Yorba).
Photography took his mind away from all of the busyness the world had.
The camera obscura, the prototype of the photographic camera, was a large dark room that an artist physically entered.
Light entered through a small hole in one of the walls and projected a distinct, but inverted, color image onto the opposite wall that could be then traced” (Hirsh).