Essay On My Favourite Story Book Character

Essay On My Favourite Story Book Character-24
It’s complicated namely because anytime I read DFW, anytime I wade into the glistening yet pirohanna-filled lake of his freshwater mind, I walk away perhaps subconsciously enthralled in the effort to match his ability and lyrical dexterity in my own writing; of course, in the process, I only manage to mimic it.

It’s complicated namely because anytime I read DFW, anytime I wade into the glistening yet pirohanna-filled lake of his freshwater mind, I walk away perhaps subconsciously enthralled in the effort to match his ability and lyrical dexterity in my own writing; of course, in the process, I only manage to mimic it.

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I’m talking Faulkner, Hemingway, Salinger, Baldwin — the list goes on.

Partly my afore-referenced time studying English Lit is to blame for this; I had a number of “older,” more classic texts sort of crammed down my throat, thus not allowing for the more genuine, blooming realization of greatness and impact that resulted from my reading — on my own — the texts below.

But it also remains that this list is subjective and personal, and thus my including texts only because I thought I I’m hardly the first person to have attested to as much, but this novel broke my heart in a way that few books ever have.

Of course there are the painful and cutting shards of racism and poverty that puncture the skin of a number of characters in the novel — experiences that are so eloquently and honestly and empathetically brought to life by Morrison that the reader would have to be inhuman not to feel sick after reading them — and these hit home particularly hard for me, at the time, given that my students looked like and were only a little bit younger than the novel’s main character, Pecola.

This is inherently difficult, in that it feels incongruous to what we as humans are seemingly hard-wired to do, which is mimic what we see. In fact this book, I think, is an example of how certain influences, while powerful and inspirational and offering of much wisdom, are ultimately untouchable, stars for others to emulate and orbit, but never to duplicate. The word’s overused and banalified now, despair, but it’s a serious word, and I’m using it seriously.

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For me it denotes a simple admixture — a weird yearning for death combined with a crushing sense of my own smallness and futility that presents as a fear of death.But sort of omnipresent beneath the more singular punctuations of racism and indecency that Pecola experiences is a more fundamental human pain: That of feeling perennially and hopelessly inadequate.That of feeling beholden to satisfying the elusive expectations of someone or something that is entirely separate from yourself and your radius of control.Good, memorable writing grows from an understanding of what exactly makes writing good, and memorable.Maybe it’s just the English major in me, but I get a sort of buzz from doing this; I could talk books all day.It tells a story from a variety of vaguely interconnected vantage points that seem to revolve most magnetically around the carnivorous nature of the appetite of time — the nature in which people change over the course of their lives, how relationships morph and bend and brake.There’s an almost hallucinatory quality to Of course, underpinning the twists and turns of the narrative is Egan’s writing, which is quick, intelligent, witty, and chameleonic — no two chapters, these songs that comprise the larger, cohesive sonic whole, are alike.The prose in each chapter varies depending on who’s narrating the chapter; in this way it reminds me of a less arduous impressed upon me the idea that I didn’t have to abide by a linear outline in my writing, and that regardless of how sensuous your sentences are, regardless of how exciting the plot of your story is, a writer can ultimately only impact a reader by connecting with them through their characters.Indeed, what makes work so well — what brings it all together — is the tenderness and humanity that Egan imbues each character with.I read it to push myself to write better, to further sensualize my language and tighten my thoughts.But that last bit is important, as it remains that every time I read I have to be conscious about not trying too hard to mimic DFW’s style, which is and always will be out of my reach.

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