Dover Beach Poetry Essay

Dover Beach Poetry Essay-72
When I’m not sitting by the window, sharing the sun with our little lemon tree, I can be found making lemon cupcakes and other confections, creating art (pen and ink, intaglio, and Prismacolors, please) or moving through the world on the toes of ballet or jazz dance.

When I’m not sitting by the window, sharing the sun with our little lemon tree, I can be found making lemon cupcakes and other confections, creating art (pen and ink, intaglio, and Prismacolors, please) or moving through the world on the toes of ballet or jazz dance.

But now I only hear Its melancholy, long, withdrawing roar, Retreating, to the breath Of the night-wind, down the vast edges drear And naked shingles of the world. for the world, which seems To lie before us like a land of dreams, So various, so beautiful, so new, Hath really neither joy, nor love, nor light, Nor certitude, nor peace, nor help for pain; And we are here as on a darkling plain Swept with confused alarms of struggle and flight, Where ignorant armies clash by night.

—Matthew Arnold Matthew Arnold achieves a lonely tone in the poem “Dover Beach, ” through the use of imagery, simile, and personification.

We are given as sense of loss by this turmoil, which becomes clearer in the last stanza.

The title of this poem, “Dover Beach”, really sets the scene to the reader almost instantly.

Today’s poem analysis comes from 16-year-old Sara Barkat. The tide is full, the moon lies fair Upon the straits; on the French coast the light Gleams and is gone; the cliffs of England stand, Glimmering and vast, out in the tranquil bay. Only, from the long line of spray Where the sea meets the moon-blanched land, Listen!

you hear the grating roar Of pebbles which the waves draw back, and fling, At their return, up the high strand, Begin, and cease, and then again begin, With tremulous cadence slow, and bring The eternal note of sadness in.Sophocles long ago Heard it on the Aegean, and it brought Into his mind the turbid ebb and flow Of human misery; we Find also in the sound a thought, Hearing it by this distant northern sea.The Sea of Faith Was once, too, at the full, and round earth’s shore Lay like the folds of a bright girdle furled.For others it may provoke a thought or memory of the past such as the childhood holidays with your parents.The lines in the poem could be provoking these thoughts so that you can empathize later to what he is experiencing in the poem.The poet begins to use words, which changes the mood and are vastly different from the previous lines, “roar, slow, sadness”(Line 9, 13, 14).This sudden emotional change to me is a symbol of his love or life.As yet, there is no emotion or thought, only images, quiet. By the fourth line, already, something has changed. This imagery will appear again and again in the poem.An ephemeral contrast to the timeless sea is introduced: “on the French coast the light ” (emphasis mine). glimmering and vast”, the “tranquil bay.” In line nine another voice is added to the melody, literally—sound. ” the line starts, and goes on to add to the still, silent imagery that came before it—a voice, a presence, a roar—and movement, movement of waves which until now have not been described as moving. The last two lines of the stanzas start to add the feeling more pointedly, now that the mood has been set: the waves have a “tremulous cadence slow, ” that brings “the eternal note of sadness in.” In the next stanza, the sound imagery continues, even as the poem reaches out through history—“Sophocles long ago heard [the eternal note of sadness] on the Aegean [sea]” and it brought to his mind human misery.Really, the world “hath neither joy, nor love, nor light, nor certitude, nor help for pain.” The speaker and the listener, perched at the window (an edge-like place), are like the light that gleams and is gone from the edge of the land (the French coast).The poem ends with its strongest lonely image of “a darkling plain…


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