Critical Essays On Graphic Novels

Much of the academic discussion surrounding this form would sequester it as belonging to an autonomous discipline and deserving of a specialized analytic.

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A blog on Absurd explains the difference very descriptively, also pointing out that the definition depends on the person speaking.

The idea of something being art-based as well as literary is a baffling concept for some, such as unknowing shoppers.

46.2, Fall/Winter 2008William Kuskin, editor View table of contents (pdf) The comic book is currently undergoing a renaissance.

Re-branded the Graphic Novel, comics now command bookstore aisles and Pulitzer Prizes alike.

When it comes to value, these graphic novels can compete right up with the best sellers of "real" novels.

They are just as sought after as collector's pieces as well.The volume insightfully highlights the ways that graphic novelists and literary cartoonists have incorporated history, experience, and life stories into their work.The result is a challenging and innovative collection that reveals the combined power of autobiography and the graphic novel.Most of us have walked past a set of graphic novels at the store or library and scoffed, wondering why they are with the rest of the books.We see the colorful images that have a specific order to be viewed in order for them to make sense, and very few words, if any, in each little box.Some are the Japanese manga or Marvel and DC comics, but there are still others that tell legitimate stories.When I was in high school, I read quite a few graphic novels.I do realize this limits what the reader can do as far as imagining the events of the story for themselves, but some stories are written in ways that make it difficult to imagine the scenes without preexisting knowledge about the physical location of the scene.Working with graphic novels can expand a reader's imagination by giving them another opportunity to think about how or why the author chose the wording or scene decoration he or she did.Chaney brings together a lively mix of scholars to examine the use of autobiography within graphic novels, including such critically acclaimed examples as Art Spiegelman’s Maus, David Beauchard’s Epileptic, Marjane Satrapi’s Persepolis, Alan Moore’s Watchmen, and Gene Yang’s American Born Chinese.These essays, accompanied by visual examples, illuminate the new horizons that illustrated autobiographical narrative creates.

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