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Of Métis and Mennonite decent, Wollf uses her current work to explores identity, culture and place using beads, natural materials and words.This essay surveys the development and current state of electronic literature, from the popularity of hypertext fiction in the 1980's to the present, focusing primarily on hypertext fiction, network fiction, interactive fiction, locative narratives, installation pieces, "codework," generative art and the Flash poem.Together they curated the exhibition titled “this world; here,” is a son, a lucky brother of two handsome, loving sisters, Agnes and Clara, and a blessed uncle to a beautiful boy, Ezekiel, and niece, Chelsea.
She is interested in a navigational art of experience, and by interpreting life and love and pain as sound, Georgeson-Usher allows us to experience a startling and raw and vulnerable rhythm to the landscape around us, causing us to acknowledge the different voices of the diverse choir that compose it.” — Heather O’Neill“In Phanuel Antwi’s text on Lesley Loksi Chan’s body of work ‘ACCORDING TO WHETHER,’ he mentions that ‘complexities rest in bodies.’ Discussing the ways that Chan’s material practice speaks to wider social implications, Antwi’s writing requires of the reader that we acknowledge and reckon with the complexities that lie within our own bodies, and how we carry this into the world [in which] we live, work and make art.Corinna Wollf’s essay,within the context of the biennale.Phanuel Antwi’s essay, “A Felt Sense of Whether,” interprets artist Lesley Loksi Chan’s 2017 exhibition, “ACCORDING TO WHETHER,” using Chan’s textile practice to connect to a more textured nature of movement—political movement, gender and #Me Too—while speaking within and against the language of aesthetic representation.Cover sheets MUST ONLY include your name, the title of your submission, your email address, and mailing address.Authors’ names should not appear on the submission. There is no fee to enter, but Please limit short fiction to 2000 words or less; flash fiction to 350 – 500 words per submission; essays to 1200 words; and poetry to three pages (standard font.) Please submit no more than a total of 5 single entries.To be considered, applicants submitted an unpublished writing sample on an art-related subject.Georgeson-Usher’s submission, “Convergences as Rhythmic Disturbances—Indigenous Connections through Urban Navigation,” uses the concept of rhythmic spatialization to explore the effects of urban landscapes on Indigenous bodies, using personal prose and theory to connect rhythms, the cityscape and art.is a professional artist, pedestrian, art wanderer and space maker who has lived a life of displacement and detachment from her ancestral lands and communities.Born in Edmonton, moving often during her childhood and residing in the Saskatoon inner city during her adolescent years and most of her adult life, Corinna relocated to Italy after completing her MFA at the University of Saskatchewan in 2016, where she lives and creates.“In an accessible and lyrical manner, fusing memoir, poetry and academic text, [Georgeson-Usher] brings alive the sounds of her rural childhood and those of the streets of Montreal where she lived for many years.” “What makes Camille Georgeson-Usher’s piece so incredible is that its structure and language mirror the phenomena she is describing.In an accessible and lyrical manner, fusing memoir, poetry and academic text, she brings alive the sounds of her rural childhood and those of the streets of Montreal where she lived for many years.