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In his time, Pope was famous for his witty satire and aggressive, Bitter quarrels with other writers.
These equal syllables alone require, Tho' oft the ear the open vowels tire, While expletives their feeble aid do join, And ten low words oft creep in one dull line, While they ring round the same unvaried chimes, With sure returns of still expected rhymes.
These syllables are required equally long, though the ear often tired with the open vowels.
It's not enough emphasizing on sound only, the sound must correspond to the sense.
When describing zephyr blows gently, the strain is soft and the smooth stream flows in smoother numbers.
If there is line saying a crystal stream, "with pleasing murmurs creep" will follow behind.
Then readers can predict the following word to be " sleep."Then, at the end a couplet contains with some unmeaning things that those poets call a thought ends the poem with a needless Alexandrine.Alexander Pope was a son of a London cloth merchant who was also a Roman Catholic draper.Pope was educated at various Catholic schools until the age of twelve, when a severe illness of spine left him crippled.But most people judge a poet's poem by Versification (an art of composing verse, which has special form, and emphasizing on tone).They judge a poet to be right or wrong depending on whether the tone is smooth or rough.He's one of the greatest poets of Enlightenment and his breakthrough work " An Essay on Criticism" (1711) appeared when he was at age 23.Pope was considered literary dictator of his age and the epitome of English Neoclassicism.Hear how Timotheus' varied lays surprise, And bid alternate passions fall and rise!While, at each change, the son of Libyan Jove Now burns with glory, and then melts with love; Now his fierce eyes with sparkling fury glow, Now sighs steal out, and tears begin to flow: Persians and Greeks are apt to use the turns of nature to express their thought and those famous poets now insist to be covecame by rhyme (to focus on rhyme.) But the power of music should allow our hearts to lead out emotion like the poem "Timotheus"did and the way Dryden is doing now.After the end of the Restoration period (around 1714, when the last Stuart monarch, Anne, died and the German ruling family, the Hanovers, took over in the form of George I), the stage in England becomes a pretty dismal place, and for the most part remains that way until the late 19th century. After the death of Pope and Swift, poetry is no longer the preferred form and the prose works of this period are much stronger.But most by numbers judge a poet's song; And smooth or rough, with them is right or wrong: In the bright Muse though thousand charms conspire, Her voice is all these tuneful fools admire, Who haunt Parnassus but to please their ear, Not mend their minds; as some to church repair, Not for the doctrine, but the music there.