A Perfect Day For Bananafish Essays

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The child-like and intelligent characteristics of Seymour that are revealed in the second part of the story represents the change that he undergoes through the process of getting to the climax. War has changed a man, and pushed him to As Irving Howe once observed, “The knowledge that makes us cherish innocence makes innocence unattainable.” In a dynamic society, innocence evades even the youngest members of our world; it evades even the nonexistent members of our world. This is a line from “A Perfect Day for Bananafish,” one of the nine best selling stories written by J. It shows Muriel and her mother in a phone conversation, discussing Muriel’s apparant mentally ill husband.

In the second part of the story, Seymour meets the little young girl, Sybil, on the beach. In this short story, the consequences of war is shown through the husband’s actions and feelings.

The shocking end to the story exemplifies what dedicated readers of Salinger have come to appreciate as the intricate relationship between humor and misfortune.

On one page, we are laughing at Seymour’s caustic encounter with a woman in the hotel elevator, and on the next we are confronted with his calmly methodical suicide, Seymour’s “banana fever.” Seymour is but one of Salinger’s perceptive, feeling heroes surrounded by people who limit themselves to artificial gestures and shallow desires.

The story tells about the vacation of a young married couple, Muriel and Seymour Glass.

Seymour Glass, the protagonist of the story is a returned soldier from the war who is suffering from psychological trauma due to the brutal impacts of the war.

Muriel tells her mother that Seymour's condition is normal; he is silent and plays piano by himself during the parties and dinners.

Muriel is obsessed with the materialistic world; she lacks concern on Seymour's behavior.

Salinger has a strong sense of the dramatic, and he often constructs his stories as though they were plays.

In “A Perfect Day for Bananafish,” one finds the elements of a three-act play, the third act of which has two scenes.


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